Photo by Victoria Mesenbrink


b. 1990 (Corvallis, Oregon)
I work as a narrative strategist to bring mission-aligned vision to organizations and the communities they serve. My research model of Transformative Place focuses on long-term time thinking, shared resources, with rituals and celebration. My collaborations with towns of ~1,000-3,000 populations (New Cuyama, Carrizozo, Granite Falls, Green River, Zoncuantla, Palouse) span over a decade. I have translated my knowledge of rural places, to work within urban neighborhoods in Mexico, Japan, the United Kingdom, Europe, and the United States.

In my visual art, I use 1990s girlhood aesthetics and mediums (plastic, print, paper mache) to confront white supremacist capitalist cis-hetero patriarchy. The combination of childlike and sexual forms in my work captures the tension felt in queer existence that deviates from the ideals of the nuclear family. I see art as critical infrastructure to reclaim our bodies and autonomy from sexual assault and surveillance culture.

I bring an emphasis on relationship and knowledge building to my commercial work. Some notable projects include curating the physical library for Anthropic AI’s headquarters, art directing the largest women’s fitness event in the world for Nike, designing the secondhand fashion magazine, Mildew, and creative strategy for a 1 million dollar experimental philanthropy fund, Arising Quo.

My studio is based in Palouse, Washington and can also be found on truck tailgates, picnic tables, and remotely around the world. I have held Adjunct Faculty positions at Portland State University and University of Idaho and given talks at University of Colorado-Boulder, Washington State University, and Iowa State University.

Presently, I am apart of the artist group Strange Grange, an analog community venue for intergenerational exchange, and deputy chair of the Palouse Planning Commission.


I design community spaces usually through multi-year projects.





Current Spaces


Teaching
Hosting
Co-Founder
Design
Strange Grange
Squash
Hard Art
Reality Workshops
SER
Moving Sidewalk
Mildew Magazine

Palouse, WA, US
Liverpool, UK
UK / EU
Past Spaces

The Changing Times
FRUITS
The Brixton Project
Arising Quo
316Centro
RUDA
The Yes! House
Blue Sky Center
Epicenter
Worldwide
UK
London, UK
UK / EU
CMDX
Coatepec, MX
Granite Falls, MN, US
New Cuyama, CA, US
Green River, UT, U



Education





Clients


Narrative Environments, Master of Arts, Central Saint Martins, London, UK

Graphic Design, Bachelor of Science, Portland State University, Summa Cum Laude, Portland, OR



City of San Francisco
Portland Art Museum
Headspace
UT Austin Center of Integrated Design
SQUASH
Blue Sky Center
Adidas
TOMS
Epicenter
Brixton Project
Washington Department of Transportation
Place Bureau
DemocracyNext
Department of Public Transformation
Mildew Magazine
Wieden + Kennedy
Nike
Funding & Suport








Reviews & Press
The National Endowment of The Arts
Springboard for the Arts
Joseph Rowntree Foundation
Impact for Urban Health
ArtPlace America
California Arts Council
Rural Community Assistance Corporation
Southwest Minnesota Housing Partnership



A savant of human connection” — Zoe Minikes, Flower Press

Legendary happenings” — Paula Wilson, MoMAZoZo

Mildew magazine featured on It’s Nice That








Neighbourhood Trustfrastructure: The Field Guide, 2022
Contact
corbinlamont@gmail.com

PO BOX 122
Palouse, WA 99161



©2026